List of bibliographic references indexed by Modern music
Number of relevant bibliographic references: 43.
| Ident. | Authors (with country if any) | Title |
|---|
| 000040 (2013) |
Bernard Gates | A Pitch‐Class Set Space Odyssey, Told by Way of a Hexachord‐Induced System of Genera |
| 000295 (2008) |
Matthew Isaac Cohen [Royaume-Uni] | Eva Gauthier, Java to jazz |
| 000311 (2008) |
Imogen Parker | The time of music: the music of time |
| 000318 (2008) |
Catherine Pickstock | Messiaen and Deleuze |
| 000323 (2008) |
Dewey Faulkner | CANONICAL, CONTEMPORARY, CLASSIC |
| 000372 (2007) |
Daniel K. L. Chua | Rioting with Stravinsky: a Particular Analysis of the Rite of Spring |
| 000383 (2007) |
Allen Forte | Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music |
| 000468 (2006) |
Gisèle Sapiro [France] | Jane F. Fulcher. The Composer as Intellectual: Music and Ideology in France 1914-1940. New York: Oxford University Press. 2005. Pp. xiv, 473. $74.00 |
| 000603 (2005) |
Lynn Hooker | Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912 |
| 000604 (2005) |
Julie Hubbert | Modernism at the Movies: The Cabinet of Dr. Caligari and a Film Score Revisited |
| 000613 (2005) |
Franc Ois De Me Dicis | Darius Milhaud and the Debate on Polytonality in the French Press of the 1920s |
| 000757 (2004) |
Eduardo De La Fuente [Australie] | Max Weber and Charles Ives |
| 000824 (2003) |
| Video Views |
| 000875 (2002) |
Jane F. Fulcher | The Politics of Transcendence: Ideology in the Music of Messiaen in the 1930s |
| 000888 (2002) |
Peter Dickinson | Review: Maestros of the Pen: A History of Classical Music Criticism in America |
| 000904 (2002) |
Allen Forte | Olivier Messiaen as Serialist |
| 000916 (2002) |
Anya Suschitzky | Debussy's Rameau: French Music and Its Others |
| 000F57 (1992) |
Frank Kouwenhoven [Pays-Bas] | Developments in Mainland China's New Music |
| 001066 (1990) |
| Book Browsing |
| 001200 (1987) |
Robert Lilienfeld | Music and society in the 20th century: Georg Lukacs, Ernst Bloch, and Theodor Adorno |
| 001408 (1983) |
R. Smith | Music to labour to. |
| 001437 (1982) |
Ferenc Feher | rationalized music and its vicissitudes (adorno's philosophy of music) |
| 001450 (1982) |
Lisa P. Bass | Marathon Man of Jazz Education |
| 001537 (1980) |
Wilfrid Mellers | Music and musical education |
| 001553 (1980) |
| Book browsing |
| 001625 (1978) |
Michael Meyer | Musicology in the Third Reich: A Gap in Historical Studies |
| 001671 (1977) |
Lawrence Starr [États-Unis] | Educating the Ear: Strategies for Teaching Twentieth-Century Music Analysis |
| 001732 (1975) |
Truman Bullard [États-Unis] | The New Oxford History of Music, Volume X: The Modern Age, 1890–1960 |
| 001974 (1968) |
R. M. Longyear | Directory of Music Faculties in American Colleges and Universities, 1967-68 |
| 001A04 (1967) |
Donald L. Bisdorf [États-Unis] | The 371 Chorales of Johann Sebastian Bach |
| 001A12 (1967) |
| Professional Materials |
| 001A16 (1967) |
H. De Jager [Pays-Bas] | Listening to the Audience |
| 001A18 (1967) |
George J. Buelow [États-Unis] | Essays on Schubert |
| 001A25 (1967) |
Richard L. Webster | A Contemporary Concept of Bowing Technique for the Double Bass |
| 001B18 (1964) |
Paul L. Frank [États-Unis] | Orff and Bresgen as Music Educators |
| 001B20 (1964) |
Joseph L. Doran [États-Unis] | Modern Music and the Music Educator |
| 001C49 (1960) |
Gifford P. Orwen | The Singer and Foreign Languages |
| 001C58 (1960) |
Herbert Drux | Book Reviews |
| 001D10 (1958) |
| Americana Index to The Musical Quarterly 1915–1957 |
| 002072 (1944) |
Edward Murray ; Howard Linn Edsall | An unexplored musical resource |
| 002193 (1940) |
| Ad Libitum |
| 002444 (1932) |
Mark Time | Recess |
| 002530 (1929) |
Percy A. Scholes | Good and Bad in Music |
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